Upcoming NYC Rashomon Performance! Spotlight on the Kurosawa Classic
by Joe Pascullo, Grand Central Library
March 4, 2016
Rashomon on screen and on the stage.
March Author @ the Library Programs at Mid-Manhattan
by Alison N. Quammie, Senior Librarian, Stavros Niarchos Foundation Library (SNFL)
February 29, 2016
Join us for an Author @ the Library talk this March at Mid-Manhattan Library to hear distinguished non-fiction authors discuss their work and answer your questions.
O Romeo, Romeo
by Barbara Cohen-Stratyner
February 27, 2016
Why is Margaret Mather's 1882 performance as Juliet, in William Shakespeare's 'Romeo and Juliet,' so well remembered? Perhaps this illustration of the balcony scene, apparently in her own hand, has something to do with it.
African Americans on Broadway Then and Now
by A.J. Muhammad, Librarian, JBH Research and Reference Division, Schomburg Center for Research in Black Culture
February 26, 2016
The 2015-2016 Broadway theater season is being hailed as one of the most diverse on record. Is this slate of shows featuring African Americans on Broadway unprecedented? Let’s look take a look back into American theater history to approximately 70 years ago.
100 Years (Or So) Ago in Dance: Florence Mills
by Arlene Yu, Jerome Robbins Dance Division, New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
February 22, 2016
Florence Mills was famed for her birdlike voice as well as her spontaneous dancing during her numbers. She was one of the most popular entertainers of the early 1920s in New York, London, and Paris, and yet, perhaps because she died at age 32, her fame has not survived.
Live from the Reading Room: Nathan Woodard to Alice Childress
by Alexsandra Mitchell, Reference Librarian and Archivist, Manuscripts, Archives and Rare Books Division, Schomburg Center for Research in Black Culture
February 19, 2016
A love letter from musician and composer Nathan Woodard to his wife and creative collaborator Alice Childress.
A Trivial Blog Post for Serious People
by Meredith Mann, Manuscripts and Archives Division, Stephen A. Schwarzman Building
February 9, 2016
An unassuming black notebook contains the earliest draft of Oscar Wilde’s play The Importance of Being Earnest, written by hand and with the author’s frequent emendations.
Live from the Reading Room: Arturo Schomburg to Langston Hughes
by Alexsandra Mitchell, Reference Librarian and Archivist, Manuscripts, Archives and Rare Books Division, Schomburg Center for Research in Black Culture
February 5, 2016
Today’s letter features correspondence between Arturo Alfonso Schomburg and Langston Hughes. In the excerpt below, Schomburg speaks with Hughes regarding acquisitions for The Division of Negro Literature, History and Prints—the forerunner to today’s Schomburg Center.
Public Domain Theater: The Black Crook
by Doug Reside, Curator, Billy Rose Theatre Division, New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
January 21, 2016
This month, thanks to the Library’s release of all of our high resolution photographs of objects with no known U.S. copyright restrictions, the promptbook, the sheet music, and the photos may be used without restriction for any purpose, including commercially.
Head Shots: Doubles, Triples and Quads
by Barbara Cohen-Stratyner
January 4, 2016
These double and triple exposures made more memorable headshots which showed multiple aspects of the performer. At worst, they interfered with the casting directors' ability to imagine the performer in roles.
Head Shots: Tallulah Bankhead's Sleeve
by Barbara Cohen-Stratyner
December 14, 2015
There are at least three portraits from this studio session with the same elegant profile, hair, make-up, jewelry, and blouse. The raw silk blouse, with its uniquely draped sleeve, is an unusual choice for a head shot, since the sunburst effect of the sleeve cap commands the eye.
Head Shots: Dulcie Cooper
by Barbara Cohen-Stratyner
December 7, 2015
If you’ve never heard of Dulcie Cooper, don’t worry, there’s still time to get familiar: two portraits of her are on display in Head Shots through December 30.
Alice Live! on Television
by Barbara Cohen-Stratyner
December 1, 2015
In the 1954 and 1955 seasons, two lavish productions of Alice in Wonderland were premiered on television. In each case, they were developed to attract families to the presenting series and their sponsors.
Honoring the Legacy of Abram Hill, Co-Founder of the American Negro Theatre
by Candice Frederick
November 12, 2015
Hill continues to be lauded for his capital investment in the development of "Harlem's Little Library Theatre," as well as his cultivation of the black genre of American theater.
Podcast #78: John Lithgow on Shakespeare and Bedtime Stories
by Tracy O'Neill
September 15, 2015
A winner of five Emmys and two Golden Globes, John Lithgow is one of America's most accomplished actors. He's also the author of the memoir Drama: An Actor’s Education. For this week's episode of the New York Public Library Podcast, we're proud to present John Lithgow discussing Shakespeare, his father, and bedtime stories.
Yiddish Theater Research: A Quick Online Guide
by Amanda Seigel
September 11, 2015
General works, plays, biography, images, and archives pertaining to Yiddish Theater.
Canada Lee: Actor, Trailblazer, Activist
by Candice Frederick
September 8, 2015
Harlem-raised Canada Lee, who the New York Times once called “the greatest Negro actor of his day” has been almost totally forgotten in recent history. Lee began acting when his friend suggested he do a reading, and soon found himself protecting a young maverick director named Orson Welles, with whom he formed a lifelong friendship.
Kate Claxton Head Shots: This Week Only
by Barbara Cohen-Stratyner
August 21, 2015
The cartes de visite, cabinet photographs and stereograms of Kate Claxton, an intensely photogenic actress.
Musical of the Month: Little Nemo
by Doug Reside, Curator, Billy Rose Theatre Division, New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
July 29, 2015
Little Nemo opened on Broadway at the opulent New Amsterdam Theatre on October 20, 1908, after a three-week tryout in Philadelphia. According to the New York Times, the city had “seen nothing bigger or better in extravaganza than ‘Little Nemo.’” It had also never seen a theatrical production more expensive.
The Jitney Players, The Traveling Theater Troupe
by Valerie Wingfield, Archives Unit
July 10, 2015
During the Elizabethan era, traveling troupes of actors would perform in different towns throughout the United Kingdom. Inspired by these theatrical artists, Horace Bushnell Cheney and his wife Alice Keating Cheney established the Jitney Players in the United States in 1923.