Art and Architecture: The 613 | Archie Rand, Camille Paglia | An Artist Dialogue Series Event
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FREE - Auditorium doors open at 5:30 p.m.
Camille Paglia, American academic and social critic, joins artist Archie Rand for a discussion about his work and new book The 613.
Archie Rand's career as an artist spans five decades with myriad themes and genres. Among his pioneering explorations, The 613 is surely one of his most ambitious feats yet. Without any idea where the work would be exhibited, Rand began transforming each and every one of the 613 mitzvahs, or commandments, into its own breathtaking painting, a series that took five years to complete. Each of the gorgeous and perplexing panels features a vibrant, unexpected image that brings forth the heart of its law and commands our eyes to linger. Rand is startling and original in his rich color choices, bold characters, and extraordinarily expressive approach.
The New York Times describes the paintings as "rendered in the style of comics and pulp fiction book jackets, a dash of Mad magazine, a spoonful of Tales of the Crypt, some grotesques, some superheroes, always action, emotion, drama." Whether grotesque or dramatic, each painting provokes a sense of wonder and self-reflection, making The 613 a book to be visited time and time again. Perfect for readers of art, religion, or popular visual culture, The 613 may be the most audacious and distinctive book of its kind.
Copies of The 613 published by Blue Rider Press (a division within Penguin Random House) are available for purchase and signing at the end of event.
Archie Rand, born 1949, is an artist from Brooklyn, New York. Rand’s work as a painter and muralist is displayed around the world, including in the collections of the San Francisco Museum of Modern Art, the Art Institute of Chicago, the Victoria and Albert Museum in London, the Bibliothèque Nationale de France in Paris, and the Tel Aviv Museum of Art. There have been over 100 solo exhibitions of his work. He has published collaborative work with poets Robert Creeley, John Ashbery, Clark Coolidge, David Plante, John Yau, David Lehman and Jim Cummins.
He was awarded, among numerous honors, the Achievement Medal For Contributions to the Visual Arts by the National Foundation for Jewish Culture and he received the Guggenheim Foundation Fellowship. Formerly the Chair of the Department of Visual Arts at Columbia University he is currently the Presidential Professor of Art at Brooklyn College, CUNY. His home and studio are located in Brooklyn.
Camille Paglia is the University Professor of Humanities and Media Studies at the University of the Arts in Philadelphia, where she has taught since 1984. She received her B.A. from the State University of New York at Binghamton in 1968 and her M.Phil. and Ph.D. degrees from Yale University in 1971 and 1974 respectively. Her six books are Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990); Sex, Art, and American Culture (1992); Vamps & Tramps: New Essays (1994); The Birds, a study of Alfred Hitchcock published in 1998 by the British Film Institute in its Film Classics Series; Break, Blow, Burn: Camille Paglia Reads Forty-Three of the World's Best Poems (2005), and Glittering Images: A Journey through Art from Egypt to Star Wars (2012). Her third essay collection is under contract to Pantheon Books.
Professor Paglia was a co-founding contributor and columnist for Salon.com, beginning with its debut issue in 1995. She has written numerous articles on art, literature, popular culture, feminism, politics, and religion for publications around the world. Her essay, “Theater of Gender: David Bowie at the Climax of the Sexual Revolution”, was commissioned by the Victoria & Albert Museum for the catalog of its major exhibit of Bowie costumes, which opened in London in 2013 and is currently touring internationally.
Initiated and organized by Arezoo Moseni in 2004, Artist Dialogues Series provide an open forum for understanding and appreciation of contemporary art. Artists are paired with critics, curators, gallerists, writers or other artists to converse about art and the potential of exploring new ideas.
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The audio is terrible. I had
Submitted by Guest (not verified) on December 17, 2015 - 1:44pm
The audio is terrible. I had to put on headphones to hear and even then it was too low. Ridiculous!