Must-Reads From Wakefield Press, Part 1
The art of Fourier is what is held in between the satire, the ideas the ruminate when reading the different types of cuckolds and bankrupts, the ability to see parts of those cuckolds in society, because what is satire other than a giant masquerade of the days. In fact, one may wonder, why press this at all? Without being able to speak for Wakefield Press, for me it shows the talent that Fourier had in mixing sparks of comedy, imagination, fiction and, of course, politics. He demonstrates a grasp for captivating an audience with his comedic tone, yet displays the seriousness in which he feels his ideas are manifesting. This is where, at least in my opinion, the introduction serves a great purpose to show that while Fourier was a thinker first and foremost, he had his hands in many different styles to advance his thoughts and writings, and he was not held to the generic intellectual essay.
Fourier shows his frustrations with institutions and starts with what he sees a failure of freedom, and a systemic problem of how people capture and act out "love." Who do you see around you? "The Judicious, or Guaranteed, Protocuckold Cuckold" or "The Cuckold by Miracle." Maybe, "The Irate Cuckold" lives right next door. In all of these we are able to laugh, while Fourier is able to show the ridiculousness and hypocrisies that he sees in a society of contemptuous marriage. Is he denying the existence of love? No. Is he enunciating his ideas for how love has been spoiled in his time? Yes.
In the same way, he shines his spotlight on traders and swindlers who purposely play with bankruptcy, trying to make their way out ahead of investors and the public, those who are "ensures every merchant has the ability to steal from the public a sum proportionate to his fortune or his credit, so that a rich man can say of himself: I set myself up as a trader in 1808; by the same time in 1810, I want to steal so many millions from whoever they belong to." It is here that Fourier provides even better descriptions for these criminals, that are never actually held accountable. Shysters and swindlers abound, "The Visionary Bankruptcy" "The Bankruptcy by Favor" or my favorite, "The Sentimental Bankruptcy" who "declaring insolvency who deliver speeches to break your heart, offer displays of such feeling and virtue that the creditor would be barbarian if he did not immediately surrender, and if he did not consider himself lucky to oblige such honest folk, who tenderly love all those whose money they take away." He continue to describe the bankruptcies of those who need to pay off their past bankruptcies, the bankruptcies of those that are on their fourth or fifth bankruptcies, the bankrupt young and so on. Fourier continues to show his different hierarchies and species of the bankrupt.
What Fourier is doing is showing how when we can categorize such problems in society, we certainly can find ways to solve the issue at hand. If bankruptcy is so common, and yet so easy to get away with, let's speculate, ridicule and ultimately bring an end to the swindling of the public. If the marriage institution is being so ridiculed with cheaters, let's see where the issue lies at hand, and why continue upholding such rules. And as Fourier states in his concluding summation, "The aim of this analysis is not to heap up sterile criticism, but to seek out a remedy." At this point Fourier does a quick to-the-point analysis of resolving this issue and doing away with protections for merchants who embezzle.
The Conductor and Other Tales by Jean Ferry
With praise from Breton, including a marriage to his ex-girlfriend, Ferry's only published book of fiction is now brought to us courtesy of Wakefield Press and what an exceptional pocket book of 24 or so stories, including an incredibly in-depth introduction done by translator Edward Gauvin.
Before setting off on the tales told within, the illustrations by Claude Ballare jump out and provides an amazing visual component for the stories expressed by Jean Ferry. Claude Ballare has his own works on Red Fox Press Impressive black and white pieces begin each narrative to help set the scene and visualize the short journey Ferry will be taking you on.
With Ferry's abilities we run into nonexistent people in existing situations, or existing people in nonexistent situations, truths that bleed into estranged narration, into wondering if we are truly alive, trains that roll on forever, Josef K from Kafka's The Trial shows up in "Kafka, Or the 'Secret Society'" and is that K. from The Castle that ends up in "The Inconvenience of Childhood Memories," in which K. tells a joke, apologizes, tries to explain, apologizes and finally his wife solves the situation - kills him, or is that just a nod to the literary heavens of Roussel, Kafka and so on. We are fully introduced to tales with travelers, strangers, tales that are surrealistic, noir, fantastical and most of all tales of sleep and fatigue.
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Wakefield Press
Submitted by James (not verified) on September 25, 2017 - 5:33pm