Blog Posts by Subject: Vaudeville

Live From the Reading Room: Ada "Bricktop" Smith to Louis "Satchmo" Armstrong

Today’s episode features a letter from jazz singer, dancer, and nightclub owner Ada Smith, jazz trumpeter, composer, singer, and "auto-archivist" Louis Armstrong.

Beyond the Jersey Shore: 1920s Snapshots From a Chorus Girl's Scrapbook

Today's guest blog is by Suzanne Lipkin, who processed the Marion Lichtman Setlowe papers for the Billy Rose Theatre Division at the New York Public Library for the Performing Arts.

Marion Lichtman, 1920'sFriday April 9, 1926 I left Atlantic City to go on the road. I was in Second Year High School. I was 16 years of age on March 25, 1926. I joined the Dancing Debs. at Levoy Theatre, Milville, 

Magic, a Fantasy... Plus Some Sources

[Note: The following is an imaginative work of fiction. For some decidedly non-fiction resources for your own fantastic feats, see below.]

The opening article in the 1836 edition of the Magician's Yearly Trust, published then by a British organization of the same name, entitled "On performing magic in the most frozen parts of the world" caught my eye. It was the word "frozen" in the title that made me wonder what the article really was about. So I began reading the article and learned that there was a small group of professional 

Ghost Light: Illuminating Our City's Theaters: RKO Coliseum

A thing of beauty is a joy forever... — Keats

(quoted in opening night program, B. S. Moss' Coliseum Theatre, 1920)

The end of 2011 also brought the quiet demise of the last movie theater in Washington Heights, Coliseum Cinemas. Known to most residents as the RKO Coliseum, the large theater, occupying the entire corner of 181st and Broadway, has been a fixture of the neighborhood for over 90 years. As the community now debates the future of the Coliseum 

Fashion Steps Back: Vintage Runway Pics Discovered at LPA

Lincoln Center is all abuzz as it ramps up for another Fashion Week. Fashion luminaries, hovering press reps, and harried show staff walk briskly across the Plaza towards the next scheduled event. The sense of anticipation is accompanied by the throbbing bass from the show tent, where models strut their stuff. For the in-crowd, the new look of tomorrow eclipses the desire to reflect on what has come before. But the scholars just next door in The New York Public Library for the Performing Arts relish the past. While Lincoln Center has always