Music For Moderns at Town Hall, 1957
by Matthew Snyder, Archivist, Special Collections, New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
August 19, 2016
Anahid Ajemian and George Avakian put on an ambitious and eclectic concert series that blended the music and musicians of different worlds.
George Avakian and Louis Armstrong
by Matthew Snyder, Archivist, Special Collections, New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
July 25, 2016
The working and personal friendship of George Avakian and Louis Armstrong.
Live From the Reading Room: Ada "Bricktop" Smith to Louis "Satchmo" Armstrong
by Alexsandra Mitchell, Reference Librarian and Archivist, Manuscripts, Archives and Rare Books Division, Schomburg Center for Research in Black Culture
July 1, 2016
Today’s episode features a letter from jazz singer, dancer, and nightclub owner Ada Smith, jazz trumpeter, composer, singer, and "auto-archivist" Louis Armstrong.
Live From the Reading Room: Thomas Wright "Fats" Waller to Phil Ponce
by Alexsandra Mitchell, Reference Librarian and Archivist, Manuscripts, Archives and Rare Books Division, Schomburg Center for Research in Black Culture
June 10, 2016
Live from the Reading Room: Correspondence is a podcast series that aims to share interesting and engaging letters written by or to key historical figures from the African Diaspora.
George Avakian and Anahid Ajemian: An Introduction
by Matthew Snyder, Archivist, Special Collections, New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
May 10, 2016
Music For Moderns: The Partnership of George Avakian and Anahid Ajemian will explore the careers of these unique figures and their work with of some of the most important artists of the twentieth century.
May Author @ the Library Programs at Mid-Manhattan Library
by Alison N. Quammie, Senior Librarian, Stavros Niarchos Foundation Library (SNFL)
May 2, 2016
Open source intelligence and counter terrorism; links between jazz and physics; the graphic design process; kosher food in our times; the rise of the political consultant... hear from authors about these topics and more this month.
Women's History Month: Celebrating Black Women in Jazz at the Schomburg
by Jennifer Elsie Boone
March 18, 2016
This year, our series features performances from great artists such as Shelley Nicole, Mal Devisa, Alicia Hall Moran, Camille A. Brown, Bernice Reagon Johnson, and many others.
Preserving the Visual Past: Panasonic MII
by Rhony Division, Moving Image Preservation Production Supervisor, Barbara Goldsmith Preservation Division
February 24, 2015
Back in 1986 Panasonic thought they had the competitive answer to Sony's Betacam SP format. Their product was smaller, lighter and poised to take over the electronic news gathering (ENG) market. The plan must have looked great on paper, but the MII format was a disaster.
Great Albums You May Have Missed: Miles Davis Dark Magus (1997)
by Shawn Donohue
January 27, 2015
Every jazz fan has their favorite Miles period, I'm probably in the minority but I'll take his electric phase from '68-75 which expanded his amazing skills by importing the energy of rock and funk.
Song and Dance: The Power Of Black Music
by Christopher Moore
October 21, 2014
American music is largely influenced by African American music, so concluded eminent musicologists just before the 20th century.
NLS Quick Pick: Louis Armstrong, Master of Modernism by Thomas David Brothers
by John Fahs, Services, Programs & Outreach, Andrew Heiskell Braille and Talking Book Library
October 7, 2014
New biography available from the National Library Service for the Blind and Physically Handicapped.
In Praise of Hoots
by Barbara Cohen-Stratyner
September 25, 2014
At "Somebody Come and Play" you can see Big Bird, Cookie Monster, Bert and Ernie, the Count, Snuffy, and Oscar up close. And, by my special request, Hoots.
Vixen: A Review
by Emma Carbone
February 18, 2011
Gloria Carmody thought she had everything she could want: the big diamond, the handsome fiance, the promise of a secure, respectable life among Chicago’s high society. But as her wedding looms ever nearer all Gloria can think of is a notorious speakeasy and the piano player who intrigues her more than her fiance ever has. Or will.
Lorraine Dyer doesn’t understand the sudden change in her best friend, but if Gloria wants to release her inner flapper, why not? After all Lorraine is known for innovating the flapper style among their circle of friends.
Where Is St. Marks? Investigating Place Names in the East Village
by Billy Parrott, Associate Director, Stavros Niarchos Foundation Library (SNFL)
January 19, 2010
It is 8th Street, but from Third Avenue to Avenue A it is called St. Marks Place and is named for St. Mark’s Church in-the-Bowery, which is not even on 8th Street, or St. Marks Place, but at the intersection of 10th Street, Second Avenue, and Stuyvesant Street. The land there has been a site of Christian worship since 1660. The history of St. Marks Place doesn’t go back that far, but a surprising amount of history has happened on these four
Django Reinhardt Centennial Celebration - Sweet and Lowdown
by Billy Parrott, Associate Director, Stavros Niarchos Foundation Library (SNFL)
January 11, 2010
January 23, 2010 marks the centennial of the birth of Django Reinhardt. Reinhardt grew up in gypsy camps outside Paris and began playing violin, banjo, and guitar at a young age. A fire destroyed his caravan when he was 18 and he was badly burned. The third and forth fingers of his left hand were partially paralyzed but he amazingly relearned how to play and by the early 1930s he was recording with his Hot Club of France Quintet. All of those solos were
East Village Landmarks – 96 and 98 St Marks Place
by Billy Parrott, Associate Director, Stavros Niarchos Foundation Library (SNFL)
January 7, 2010
After a number of years in an historic Greenwich Village library I’ve spent the past few weeks in an equally historic East Village library. The Ottendorfer Branch of The New York Public Library is surrounded by literary, political, and musical history. From Leon Trotsky and
FINAL Duke Jazz Concert Featuring Peter Apfelbaum and the New York Hieroglyphics - Friday, November 13th at 7:30p.m. FREE!
by Katrina Dixon
October 30, 2009
I recently had the pleasure of sitting in on Peter Apfelbaum’s oral history, conducted by long-time friend and jazz writer, Dan Ouellette. I was most pleased to hear about the origins of The Hieroglyphics – a band Peter formed in his teens. I am fascinated by how the band has successfully shifted and transformed alongside him - growing as he did throughout the years. There is a touch of sadness about this being my last opportunity to hear a Duke Jazz artist tell his story like this – laughing with a friend while articulating the first musical
Brian Lynch and Spheres of Influence at The New York Public Library for the Performing Arts
by Flordalisa Lopez
September 16, 2009
Photo credit: Nick Ruechel We're slowly approaching the end of the Duke Jazz Series performances, and we would love to have you join us on Wednesday, September 23, 2009, to welcome Brian Lynch and Spheres of Influence. The performance will take place in the Bruno Walter Auditorium at The New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center, 111 Amsterdam Avenue @ 65th Street. The program is free and open to the public on a first-come, first-served basis. Doors open at 7:00 p.m. For more information, please call 212.870.1793 or visit
Movies at Jefferson Market & My Never-Ending Jazz Checklist
by Billy Parrott, Associate Director, Stavros Niarchos Foundation Library (SNFL)
March 1, 2009
Film noir is the theme for Jefferson Market’s Monday night films this month. We’ll start the series with Fritz Lang’s Hangmen Also Die. Please take a look at The New York Public Library’s online calendar for our other upcoming films.
We’ll also have a special non-noir Saturday film screening of Blithe Spirit on March 21, 2009 at 2pm. Based on the play by
Fun facts about Jane Ira Bloom!
by Sarah Ziebell
February 10, 2009
Did you know that jazz musician Jane Ira Bloom...
...prodded by her friend, the actor Brian Dennehy, wrote a letter to NASA to ask what they thought about the future of the arts in space and ended up as the first musician ever commissioned by the NASA space program and with an asteriod (6083janeirabloom) named in her honor?
...had to relearn the saxophone while studying as a girl with Joe Viola at Berklee College? ("My embouchure was all wrong!")
...while walking around the dicey neighborhoods