Digital Highlights: The Set and Costume Designs of the Music Division

Watercolor and ink baroque perspective of gardens with hedges and statues
Richard Rychtarik. Set Design:  Phoebus and Pan, 1942, Metropolitan Opera

The Music Division of the New York Public Library has an exciting collection of set and costumes designs, many of which have been digitized and can be viewed from anywhere in the world.The collection consists of over 5,000 designs which were intended for various opera productions held at differing venues.The collection includes blueprints of set elevations, scenery elevations,  lighting plots, and backdrops. Researchers will find designs by Lewis Brown, H.A. Condell, Ladislas Czettel, Frederick Kiesler, Donald Oenslager, Wolfgang Roth, Richard Rychtarik, Rouben Ter-Arutunian, Lester Polakov, Lee Watson, and many more. Prevalent mediums among the designs are watercolors, blueprints, tempera, ink, pastels, and pencil. There is also an additional collection of supplementary materials to the designs which include sketches, notes, technical information, letters, communications with the stage crew, duplicates of designs, and set model pieces.

pencil on paper mounted on cardboard design of a great hall crowded with people
Richard Rychtarik. Set Design:  Alceste, 1940, Metropolitan Opera
Watercolor and colored pencil suggesting outdoor Greek temple
Richard Rychtarik. Set Design: Alceste, 1940, Metropolitan  Opera

 

watercolor of colorful rustic cottage
Richard Rychtarik. Set Design: Bartered Bride,  1945, New York City Center Opera Company

 

watercolor mounted on cardboard of cottage on lake, at night, with castle visible across lake
Richard Rychtarik. Set Design: Rusalka, 1945

 

Watercolor and ink of bridge before buildings in silhouette
Richard Rychtarik. Set Design:  Don Giovanni, 1952, War Memorial Opera House

The library’s Digital Imaging Unit has been able to digitize 1,272 of designs from the collection. A large portion of these digitized designs are from set and costume designer Richard Rychtarik (1894-1982). Rychatrik's modernist approach in his designs was influenced by theatrical producer Max Reinhardt and Czech architect Vlastislav Hofman.He worked on several different productions for the Cleveland Orchestra, the Metropolitan Opera, and the New York City Opera. However, Rychatrik’s best known work was as set designer for the American television sitcom The Honeymooners.

There's so much to discover in our Digital Collections—take a look for yourself!

set designs
Richard Rychtarik. Set Design:  Zauberflöte, 1941, Metropolitan Opera
set designs
Richard Rychtarik. Set Design:  Zauberflöte, 1941, Metropolitan Opera
Design of girl in gauzy, violet-printed robe
Heinrich Lefler. Costume Design: " Parsifal",  1914
Costume: Rain-Hail-Snow
Richard Rhyktarik. Costume Design: "The Creation", 1959, Denver
Costume: Gretchen, Act I
Patton Campbell. Costume Design:  "The Sudent Prince"  1976, New York City Opera
Tracing and plan of tavern interior
Richard Rychtarik. Set Design: "Carmen", 1945, New York City Center
set design
Richard Rychtarik. Drop plot for "War and Peace", 1946
2 tracings with floor plans; some elevations and notes; and financial notes
Richard Rychtarik. Floor plans for "The Damnation of Faust" , 1939
set design
Richard Rychtarik. Scenery elevations for" Salome", 1949
set design
Richard Rychtarik.  Lighting plot for "The Creation", 1959
set design
Richard Rychtarik. Scenery elevations for "Don Giovanni", 1956
set design
Richard Rychtarik. Set Design :"The Flying Dutchman",  1945, New York City Opera
set design
Richard Rychtarik. Floor plan for "The Magic Flute", 1941, The Metropolitan Opera